Australia's Woodside revenue slumps more than feared with LNG glut

Australia’s Woodside Petroleum Ltd reported a worse-than-feared 29% drop in quarterly revenue, hit by weak spot LNG prices, but said it still expected to book a net profit in the first half.

The hit came due to the double whammy of a global gas glut and a slump in demand with the coronavirus pandemic, and sent the company’s shares down more than 2% while its peers were all trading higher.

“It’s been a very difficult time for our industry and some external challenges are just simply beyond our control,” Chief Executive Peter Coleman told analysts.

The country’s top independent gas producer said it has been forced to sell over 20% of its LNG on the spot market, more than normal, as customers took lower volumes on their long term contracts.

Revenue in the June quarter fell to $768 million from $1.08 billion in the previous quarter, around 18% below market forecasts.

Woodside’s average realised price slumped to $28 a barrel, hit by record low spot LNG prices, compared with analysts’ forecasts of around $36.20 a barrel.

That raised fears among some analysts that it might report a loss for the first half of 2020.

“I’m not going to let that one (question) hang. We will have a positive NPAT in the first half,” Coleman said, referring to adjusted net profit after tax.

The company’s bottom line will be marred by $4.37 billion in writedowns after tax on its oil and gas assets and a U.S. LNG contract, flagged on Tuesday.

Like its peers, Woodside has been hammered by the oil and gas price collapse, which led the company in March to halve planned spending for 2020 and defer go-ahead decisions on its two biggest gas projects – Scarborough and Browse.

The company said on Wednesday it is now targeting a final investment decision for the $11 billion Scarborough and Pluto Train 2 project in the second half of 2021, and a decision on the $20.5 billion Browse project “from 2023”.

Reporting by Sonali Paul; Additional reporting by Shruti Sonal in Bengaluru; Editing by Aditya Soni and Shailesh Kuber

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